ARTS & THEATRE

Four Decades, Three Versions, but Only One Real Women Have Curves

By Carlos Morton. For almost forty years, Real Women Have Curves has pulled audiences in with its story of Latine…

1 year ago

The Open Questions of B Kleymeyer's As Others Have Before

By Dani Lamorte. How can a life be organized? What authority should an archive hold? Source link

1 year ago

“Are We Not Fellow Travelers?” Equity and Representation on New York Stages

By Emily Chackerian. Is New York theatre backsliding into a less equitable industry? Source link

1 year ago

Queer Bodies Open Portals to New Worlds

By Laura Grothaus. “If your body is a portal, where does it lead?” This question led the creation of Paradise…

1 year ago

Dramaturgical Marginalia from the 2025 Fornés Institute Symposium

By Carla Della Gatta. To understand the impact of the 2025 Fornés Institute Symposium, one must look to both the…

1 year ago

How Stage Left Is Reopening Storefront Theatre in Chicago

By Seth Wilson. When Stage Left Theatre went looking for a space to produce The Distrikt of Lake Michigun, they…

1 year ago

Toward A New Understanding of Immersive Theatre After Three Days in Malta

By Jonathan Mandell. Teatru Malta’s 1881 infused immersive theatre with game design, all in a dark, castle-like setting. Source link

1 year ago

A Maximalist Show Needs a Collective Mindset

By Lianna Matt McLernon, Ankita Raturi. Fifty Boxes of Earth at Theater Mu was a maximalist play that combined Western…

1 year ago

In Parrots at the Pagoda, Life and Death Transform

By Citlali Pizarro. Parrots at the Pagoda imagines an afterworld where parrots guide Puerto Rican drag performer Johnny Rodriguez through…

1 year ago

Seize the Means of Audience Outreach

By L. Nicol Cabe. Online theatre spaces can promote accessibility, democratic processes, international connections, and ecological benefits, but many digital…

1 year ago