MOVIE

Frankenstein – first-look review | Little White Lies

Guillermo del Toro first voiced his dream of making a ​“faithful Miltonian tragedy” version of Mary Shelley’s ​‘Frankenstein’ back in…

10 months ago

La Grazia – first-look review

There was a time in the mid-00s when the prospect of a new film by Italy’s newest favourite son, Paolo Sorrentino, was…

10 months ago

The extreme vulnerability of Joaquin Phoenix

Looking at his last four projects, it seems that Phoenix perfected his precise working formula – hyper-ambitious, complex-to-realise films from…

10 months ago

The Regulars review – sweet and relatable

Chances are if you’re a fan of the cinema you’ll have been to The Prince Charles Cinema in London’s Leicester Square.…

10 months ago

Nobody 2 review – a quick cash grab

After the surprise success of 2021’s John Wick knock-off Nobody, it comes as no surprise that the Hollywood brain trust…

10 months ago

My Grandmother Trelotótó review – a world of…

Hoping to resurrect her late grandmother, Júlia, Catarina Ruivo combines family archives with rich visuals in a non-fiction film which successfully…

10 months ago

Stans review – mostly the same old thing

There’s no denying that the rise of Eminem was a once-in-a-generation cultural phenom, especially when the poster boy for white rap…

10 months ago

Weapons review – fun but familiar horror hijinks

If you’ve been to the cinema in the past few months, specifically to watch a horror film, you might have seen…

11 months ago

Freakier Friday review – nothing quite compares…

For many millennials and Gen Z cinephiles, Mark Waters’ Freaky Friday is a cornerstone of early 2000s cinema. The third adaptation of Mary…

11 months ago

Bring Her Back + Directors Danny and Michael Phillipou | The Naked Gun | Naked Gun (1988)

On the show this week we discuss Bring Her Back and speak to its delightful directors Danny and Michael Phillipou.…

11 months ago