Mourning Machine is a low-stakes participatory ritual designed to honor the history and resilience of the NYC theater community/ies during a time of uncertainty and reconfiguration. This event is part of an ongoing research and performance project about the “practice” of mourning-in-community, as a strategy for healing from the harmful aspects of our profit-driven culture. The event includes conversations and a reception.
Edge Effect is a “think and do tank” that creates participatory experiences for individuals to share knowledge across personal, cultural, and disciplinary boundaries. Co-founded by dramaturg Jess Applebaum and director/scenographer Nic Benacerraf, EE’s process is deeply rooted in the edge-blurring practices of devised theater. Each project unites a polydisciplinary community to study a transcendent issue of our time, who then creates original multimedia performances for new communities to deepen the investigation.
*This project is made possible in part with funds from Creative Engagement, a regrant program funded by DCLA, NYSCA, and the Howard Gilman Foundation, and administered by LMCC.
By . Playwrights Corinna Schulenburg, Jason Tseng, Greg T. Source link
What a year for Noah Laba. Not necessarily an after thought before the season started,…
The US Government Accountability Office has urged the Federal Deposit Insurance Corporation to make an…
It also reveals much about the British attitude to class. Richard John Bingham, the seventh…
Is it really all about the networking? Some people think so, and they are taking…
Nothing gets kids more excited for science than hands-on experiments! Watch your 4th grade science…