Obviously, then, as a dramatization of my life, Strange/Familiar isn’t a straightforward autobiography. Instead, the play blurs personal history with…
In this episode, we continue our conversations around theatre history with Dr. Samer Al-Saber for a conversation around resistant ventriloquism…
Jesús leaves California after his wife and children are deported in the La Placita Raid, a 1931 raid in Los…
Many of Migdalia’s plays, from the very early Miriam’s Flowers to Fishtank and Two Roberts in this volume, live in…
The Segal Center is pleased to announce an upcoming conference exploring the work of renowned U.S. theatre director and visual…
There is a well-trotted story that Herman Melville, as he was writing Moby Dick from his study in the Berkshires,…
Build the Reason for the TripA good journey requires a good amount of planning, and each theatre organization I work…
When Islam was first professed on the Arabian continent nearly 1,500 years ago, it drew ire. The staunchly monotheistic belief…
Being a Muslim and an artist are two things that go hand in hand for me. Becoming an artist has…
Othello breaks my heart. Every. Single. Time.Unlike many—scholars, directors, actors—who have given up on the Moor of Venice, I find…