MOVIE

The Odyssey review – a magnificent feat of…

With regards to the dialogue and American/​British accents used in place of more accurate speech – Emily Wilson, whose translation…

1 month ago

John Waters: ’I’ve always been a les bro‘

Do you remember sending the cast, maybe it was just Ricki Lake, but you sent them a VHS tape demonstrating some…

1 month ago

Summertime Solitude: The Green Ray at 40

“It will be ​‘green,’ but a most wonderful green, a green which no artist could ever obtain on his palette, a green which…

1 month ago

Shoot The People review – a powerful tribute to…

To ​“shoot the people“ means not only to capture them, but to bear witness, and to use the camera as…

1 month ago

Rosebush Pruning review – a dark-hearted,…

Forget roses – we need to talk about violets of the shrinking variety, especially in reference to those who caught…

1 month ago

Birds of War review – boundary-breaking love story

What does it look like to build a life with someone you’ve never actually been in the same room as? Birds of…

2 months ago

Radical Film School and the Political Cinema of…

As a Palestinian filmmaker, Farouky has first-handedly experienced the fickle franchising of radical aesthetics from national platforms. He has previously been…

2 months ago

Making A Splash: Remembering Hockney Onscreen

It seems oddly fitting that David Hockney’s death should coincide with a heatwave. After all, nobody can evoke the languorous feeling…

2 months ago

Supergirl review – a mid-field superhero affair

For generations, Superman has been the poster boy of polished, all-American heroism. He meets his antithesis in Craig Gillespie’s Supergirl,…

2 months ago

Nino review – fails to pull its punches

While at the GP collecting some routine test results, Nino (Théodore Pellerin) is suddenly asked if he has his cancer-care…

2 months ago