Disclosure Day review – distinctly lacking in…
So far, so Spielberg – he sets the stage for an ambitious, epic, action-heavy story about a group of do-gooders facing off against a sinister corporation. But
Scary Movie review – belated return of the…
Like an irksome stinging insect nonetheless vital to controlling excess animal population, the Scary Movie franchise serves a worthy function in a greater cultural ecosystem that continues
Inside Chronically Online: a big-screen…
The British Film Institute was following a similar trail of hyperlinks. Kitty Robertson, an assistant curator at the BFI National Archive, has been part of a two-year
Hacks was always a love story
Hacks contains multitudes; at once it’s a giddy comedy, an unpredictable drama, and an endlessly fruitful sitcom, but more than anything, Hacks is a love story. Across five
Tuner review – woefully off-key
Cinema has the power to shape perceptions of entire groups of people. People with AIDS are Tom Hanks in Philadelphia (1993); trans women are Norman Bates
The Dreamed Adventure – first-look review
In Valeska Grisebach’s last film, from 2017, a German laborer in Bulgaria to work on an infrastructure project explores the hillsides around a Bulgarian village on foot
The End of It – first-look review
Despite an intriguing sci-fi premise, Maria Martínez Bayona’s feature debut is a tonally mismatched and unintentionally comedic slog. As tradition dictates, two hundred and fifty
Hope – first-look review | Little White Lies
For all of the rip-roaring set pieces in Na Hong-jin’s creature feature Hope, there’s a scene at the halfway point that encapsulates everything that makes it so
Colony – first-look review | Little White Lies
In the post-Romero era of zombie horror filmmaking, there are only a handful of titles that truly stand out, and one that deserves to be considered
Teenage Sex and Death at Camp Miasma – first-look…
Early into Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Sundance-anointed filmmaker Kris (Hannah Einbinder) explains to erstwhile scream queen Billy Presley (Gillian Anderson)