ARTS & THEATRE

Creative Labor, Creative Conditions, and the Case for May Day

By Nataki Garrett. Nataki Garrett reflects on the May Day activation that kicked off the Doris Duke Foundation’s Creative Labor, Creative Conditions campaign. Source link

ARTS & THEATRE

Wehiwehi Artist Showcase at Bishop Museum

By . Spanning contemporary dance, music, theater, spoken word poetry, and interdisciplinary practice, the evening highlights the depth and dynamism of Native Hawaiian creative expression

ARTS & THEATRE

The Art of Playwriting from Personal Experience

By . Playwrights Corinna Schulenburg, Jason Tseng, Greg T. Source link

ARTS & THEATRE

Leading from the Inside Out: Identity, Framework, and the Future of Antiracist Theatre

By Nicole Brewer. The Consortium of Asian American Theaters & Artists (CAATA) welcomes Nicole Brewer, faculty at the David Geffen School of Drama at Yale

ARTS & THEATRE

Meeting at the Corner of Chaos and Divine

By JD Stokely. In October 2025, eighteen artists gathered in Maine for a weekend of sharing artistic practice as part of the MicroCosmos project. Source

ARTS & THEATRE

Black Survival and Cyclical Fate in Hang Time

By Ciaran Short. Zora Howard’s Hang Time demands a deep contemplation of empathy. Source link

ARTS & THEATRE

Vampires, Cowboys, and Sapphic Camp with 11th Hour Productions

By Nicolas Shannon Savard, Ciara Hannon, Saylor Lake. Ciara Hannon and Saylor Lake return to talk about 11th Hour Productions’ repertoire of lesbian comedies that

ARTS & THEATRE

An Exercise in Time

By Nandita Dinesh. What happens when we release the idea that dramatic texts must conform to predetermined durations and allow them, like life itself, to

ARTS & THEATRE

Golden Thread at Thirty: Looking Beyond 2026

By Marina Johnson, Nabra Nelson. In the season finale, Marina and Nabra preview Golden Thread’s 2026 season, from Palestinian performance and stand-up comedy to new

ARTS & THEATRE

IETM Oulu Plenary Meeting 2026

By . IETM Oulu Plenary Meeting 2026 livestreams the opening session which confronts the power structures embedded in arts funding as well as livestreams the