The Community, Conversations, and Collectivism of 2024
Impactful, Accessible Digital Content So many brilliant theatremakers and arts workers contributed their knowledge and expertise to our platform this year. You can see what
Studio Luna’s Evolving Trajectory | HowlRound Theatre Commons
Jeffrey Mosser: Dear artists, welcome to another episode of the From the Ground Up podcast, produced for HowlRound Theatre Commons, a free and open platform
2025 Under the Radar Symposium Keynote
The 2025 Under the Radar Symposium kicks off with an exciting and robust keynote event. Free and open to the public, this dynamic gathering brings
Theatre Advocacy Project Believes Human Resources Makes Accountable Theatre and Braver Art Possible
Amelia: I facilitate sessions using the TAP curriculum you designed, Colette. I’m curious, how did you develop that curriculum and the self-guided online courses? What
Suzan-Lori Parks’s Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks
Being an Ensemble Playwright on You On the Moors Now
Jeffrey Mosser: Welcome to another episode of the From the Ground Up podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers
Theatre Needs Fat Justice | HowlRound Theatre Commons
The COVID-19 pandemic brought renewed clarity to systems of inequities beyond health. In the theatre and performing arts, artists and organizational leaders have soul-searched, read,
Curating the University Festival Circuit
Jeffrey Mosser: Welcome to another episode of the From the Ground Up podcast, produced for HowlRound Theatre Commons, a free and open platform for theatremakers
Narrative Podcasts with Laila Abdo
Laila: With The Great Pyramid Scheme, I saw on Reddit this comment that just said, “What if there was a workplace comedy about building the
Site-Specific Performance Art with Riham Isaac
So I felt that that movement was a little bit repetitive in a way. And it’s also very hard because these stones were a bit