ARTS & THEATRE

I Don't Know How He Directs, Teaches, Raises a Toddler, and Still Finds Time to Run Marathons

By Artist Caregiver. After moving his family cross-country to be closer to other relatives, this month’s diarist is balancing especially full home and work calendars.

ARTS & THEATRE

Slow-Motion Gives Forced Migrants the Chance to Move at Their Own Speed

By Dmitrii Zenkov. To make theatre with forced migrants in Serbia, Dmitrii Zenkov knew he had to slow down. Source link

ARTS & THEATRE

Golden Thread’s Current Decade

By Nabra Nelson, Marina Johnson, Sahar Assaf. This episode is a deep dive into Golden Thread’s evolution. Source link

ARTS & THEATRE

A Conversation with Brian Rogers

By Kristin Marting. On 27 April 2026, TORCHES continues with a conversation with theatre and film director, video and sound artist, and performing arts curator

ARTS & THEATRE

Golden Thread’s Second Decade

By Marina Johnson, Nabra Nelson, Yussef El-Guindi. Playwright Yussef El Guindi reflects on Golden Thread’s pivotal second decade; writing in the post-9/11 landscape; and how

ARTS & THEATRE

Passing the Baton

By Chantal Bilodeau. Chantal Bilodeau reflects on a decade of curating the Theatre in the Age of Climate Change series and the ways the work

ARTS & THEATRE

Golden Thread's First Decade

By Torange Yeghiazarian, Marina Johnson, Nabra Nelson. This episode is a deep dive into the founding of Golden Thread Productions with founding artistic director Torange

ARTS & THEATRE

This Piece May Not Be Fed Into Any LLM or Other AI Software for Any Reason Whatsoever

By Kate Brennan, Rachel Anderson-Rabern, David Lee White. Technological innovation is outpacing labor protections, and theatre is not immune to this phenomenon. Source link

ARTS & THEATRE

A Conversation with Joey Arias

By Kristin Marting. On 6 April 2026, TORCHES continues with a conversation with the incomparable performance artist and cabaret singer Joey Arias. Source link

ARTS & THEATRE

Thirty Years of MENA Theatre

By Marina Johnson, Nabra Nelson. Marina and Nabra take a sweeping look at thirty years of Middle Eastern, North African, and Southwest Asian theatre in