One Night Only review – smash your parts…
“The sexual act, successfully performed, was rebellion,” wrote George Orwell, envisioning the dystopian kibosh put on human spirit by the jackbooted state in Nineteen Eighty-Four.
Love Me Tender review – quietly devastating…
Some films ask to be watched; Love Me Tender asks to be felt. Anna Cazenave Cambet’s quietly devastating adaptation of Constance Debré’s 2020 novel unfolds like
Spider-Man: Brand New Day review – slavish fan…
Will Tom Holland, who we just saw struggling to live up to his father’s legacy in Christopher Nolan’s The Odyssey, ever grow up? From his big break
In Praise of Hiroshi Teshigahara: Surveyor of the Abyss
As The Face of Another turns 60, the Japanese New Wave director’s cinematic battlegrounds of alienation, exploitation and fractured identity remain as haunting as ever.
Ish review – a vital coming-of-age tale
Imran Perretta’s feature debut follows two best friends whose bond is torn apart by racial profiling and a traumatic police stop-and-search. While planes roar overhead
Eye of the Giant: Cinema’s Cyclops Problem
Christopher Nolan’s The Odyssey is so stuffed with technical triumphs that singling out one feels a little like complimenting Poseidon on his puddles. The world’s largest operational
The Odyssey | Little White Lies
Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie
The Odyssey review – a magnificent feat of…
With regards to the dialogue and American/British accents used in place of more accurate speech – Emily Wilson, whose translation of ‘The Odyssey‘ was Nolan and
John Waters: ’I’ve always been a les bro‘
Do you remember sending the cast, maybe it was just Ricki Lake, but you sent them a VHS tape demonstrating some of the Hairspray dances, the
Summertime Solitude: The Green Ray at 40
“It will be ‘green,’ but a most wonderful green, a green which no artist could ever obtain on his palette, a green which neither the varied tints of